Tear definition, a drop of the saline, watery fluid continually secreted by the lacrimal glands between the surface of the eye and the eyelid, serving to moisten and lubricate these parts Cultural polymath - pop star, filmmaker, radio broadcaster, commentator, Grammy winner. Orzabal was considering calling it Famous Last Words, as it seemed likely the duo of. 'It may well be our last album,' Roland Orzabal mused in Tears For Fears The Seeds of Love, Adrian Thrills's 1990 book that covered the story behind every song on the Tears For Fears album The Seeds of Love. This Is Why Tears For Fears Broke Up In The 90s.
![]() Gaudi Meets The Rebel Dread Ft. Wrongtom Meets The Rockers - Dub In The Supermarket *Exclusive RemixA4. Prince Fatty & Shniece McMenamin - Black RabbitA3. Ghetto Priest - Hercules (North Street West 'Late Night Tales' Dub) *Exclusive RemixA2. In a pretty crowded field of 'great LNT comps', this is truly one of the greatest.A1. Best Of Tears For Fears Rarest Full Vocal DubQuantic Presenta Flowering Inferno - All I Do Is Think About You (Far East Dub) *Exclusive RemixB8. Earl 16 - Love Will Tear Us Apart (Full Vocal Dub) *Exclusive RemixB7. Rude Boy - Superstylin' *Exclusive RemixB6. Black Box Recorder - Uptown Top RankingC15. Kiko Bun - Use Me (Ben McKone Dub)C13. Matumbi - (I Can't Get Enough Of) That Reggae Stuff (Dennis Bovell Remix) *Exclusive RemixC12. Cornell Campbell - Ital City Dub *Exclusive RemixB11. John Holt - You'll Never Find Another Love Like Mine (Mad Professor 2021 Dub) *Exclusive RemixB10. The Senior Allstars - Slipping Into DarknessD20. Ash Walker - There's Nothing Like This *Exclusive TrackD19. 15 16 17 - Emotion (Dennis Bovell Remix) *Exclusive RemixD18. So it’s quite a personal story. I knew the album was going to be about the city, and its history and myths, and I was going to move there. “In my head, it was whirring and pulsing away for a long time, even before Every Valley - this fascinating, contrary, seductive place. Khruangbin - Dern Kala (Khruangbin Dub Mix) *Exclusive RemixAn album in three parts (Building A City / Building A Myth / Bright Magic), it is their most ambitious undertaking yet, bringing you to Europe’s heart and de facto capital, the cultural and political metropolis that is the ‘Hautpstadt’ of the Federal Republic of Germany – Berlin.“Doing this felt inevitable, somehow,” muses J.Willgoose, Esq. Resolving to integrate these long-gone fragments with new manipulated sound sources, he set about making his own Wochenende, a narrative drama for the ears which decodes and realises the dreams of Berlin he’d constructed in his mind.J.Willgoose, Esq. Created in 1928, the piece collaged speech, field recordings and music into a sonic evocation of the city. A Eureka moment of sorts came in November 2018 when Willgoose heard Walter Ruttmann’s radical Berlin tape-artwork Wochenende (or Weekend), which is sampled on three of Bright Magic’s tracks. It differs from their previous albums in other ways: less linear and narrative, instead it’s an impressionistic portrait of a city from the ground up. Death scream bloody gore rar“You can hear a few of these little frequency buzzes, clicks and impulses in Im Licht (a song inspired in part by pioneering lightbulb manufacturers AEG and Siemens). “I walked up and down recording electrical currents and interference,” he laughs. Combining sound archaeology and the flâneuring of the psychogeographer, one street-level pursuit of the city’s energy involved Willgoose walking the Leipzigerstrasse, site of the city’s first electric streetlight, using a wide-band electromagnetic receiver from Moscow’s Soma Laboratories. I sent it to the rest of the band, and said, I know it’s going to change, but we’ll see how the city itself colours that.” J.Willgoose, Esq moved to Berlin from April 2019 to January 2020. Andreya Casablanca of Berlin garageistes Gurr stands in for Marlene Dietrich in “My Blue Heaven”, an anthem of proud self-determination.A very pro-European record, Bright Magic is ultimately not just about one city, but all centres of human interaction and community which allow the free exchange and cross-pollination of ideas. We tried to absorb a bit of that spirit.”As well as EERA, the album’s other guest voices include Blixa Bargeld, veteran of The Bad Seeds and Einstürzende Neubauten, who becomes the voice of Berlin’s industry on the robo-teknik “Der Rhythmus der Maschinen”. Indeed, the Warszawa-evoking “The Visitor” – whose designated colour is the particular Orange of that album’s sleeve – was initially intended to feature a sample of Bowie reflecting, says Willgoose, on “how he viewed himself as this vessel for synthesizing and refracting other influences, and presenting avant-garde influences to the mainstream. “The whole shape and structure of the record is very much in debt to Low,” says Willgoose. This brought closer several inescapable musical touchstones: Depeche Mode’s classic eighties triumvirate, U2’s Achtung Baby and, crucially, Bowie’s “Heroes” and Low.
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